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          As incongruence 
          binds… 
          
          Artist 
          Sheetal Gattani visits Mehlli Gobhai, the Mumbai based veteran 
          artist, at his studio and wonders at the interests that the artist has 
          been cherishing since his formative years to now. 
          
            
          
          Knowing 
          Mehlli Gobhai one can surely say that his is an unprejudiced 
          mind, unconstrained by the rigid rules of harshly 
          defined likes and dislikes. A step into his working space (a space 
          intimate to him) and you 
          get to see a different world altogether, a world dotted with objects 
          which at the first sight seem to be slightly incongruent and 
          yet link well: be it a brilliant Chola sculpture, a bleached 
          dolphin's skull, dried coconuts, the 
          works which he has collected, books and 
          magazines or even a crow (a temporary resident) which he 
          saved from under a truck; somehow every thing/ object seems to find 
          its own space or corner and lends its distinct presence.  
          
          Books 
          collected over the decades play a role of ever-present companions. As 
          you pan across the arranged books it is evident that Gobhai doesn't 
          show predilection for few subjects but has an interest in a variety of 
          topics: ranging from philosophy, arts, travel, 
          culinary 
          etc. Apart from books, Gobhai likes to sift through magazines, old and 
          new alike. 
          
          Be it books or magazines, reading can never be a one 
          time process. To Gobhai, old issues of magazines continue to serve as 
          informal learning. These 
          act as catalysts, reviving nostalgia; magazines collected during his 
          formative years are chronicles of his days in 
          
          New 
          York. They remind him of 
          his old interests and how these have changed and grown over the years. 
          'It is strange that some works which didn't 
          appeal to me earlier suddenly seem to strike 
          a resonant chord.' Stepping back to the years in 
          New York, 
          Gobhai recalls building his 
          collection from the $2 
          book sales. 
          The Strand Book Shop in New York was another source. 
          
          Considering Gobhai's reading, a conversation 
          with him invariably tends to branch out to 
          various directions: from rugby to science and geometry, from his 
          illustrations for children's books to abstract art. Running through 
          his collection you find: books by Carl 
          Jung, Wassily Kandinsky's 'Concerning the spiritual 
          in art', 'The ancient science of Geomancy' by Nigel Pennick, 
          'Islamic Cosmological Doctrines' by Seyyed Hossein Nasr, 
          'Zen and the art of Archery' by Eugen Herrigel, etc. And he wishes 
          he'd held on to an early edition of Max Muller's 'Sacred Books of 
          the East' which formed a fraction of his grandfather's collection. 
          Gobhai feels no need to look for a level of correlation between what 
          one reads. He sees inter-relations almost naturally. In the most 
          matter-of-fact manner, Gobhai sees how one thing leads to another and 
          everything being connected. 
          
          Sheetal Gattani 
          is a Mumbai based practicing artist. 
          
          Photo credit : Vrushali Dhage  | 
        
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