'Amitesh
Shrivastava and Bhuvanesh Gowda
Limited
Security / Security Ltd.
4 – 25
September, 2009
The Guild Art
Gallery is pleased to present ‘Limited Security / Security Ltd.’
recent works of Amitesh Shrivastava and Bhuvanesh Gowda at The
Guild previewing on September 4, 2009.
“Security has
become an obsessive notion to worry about not only for the nations
but also for the individuals. The more the world dissolves its
borders using technological means, the more the borders are
conceptually strengthened by the preoccupation with security
issues. While security measures re-draw the map of our social
spaces, they facilitate a change in the philosophical and cultural
attitudes too. It could go deep into the negotiation of personal
fears to the negotiation of socio-cultural mechanisms in the
individual lives.
‘Limited
Security/Security Ltd.’ looks into the aspects of how the notion
of security moves from the socio-political spheres to
philosophical and cultural realms... Also it attempts to focus on
the notion of ‘insecure viewing’ or to put it in other words, how
certain works of art try to push the viewer out of the comfort
zones of viewing. The realm of aesthetic enjoyment, which is
secured by the physical conditions of a gallery or a museum space,
is sometimes threatened when the works of art in question
themselves are intended to rupture the secure notions of viewing.”
– Johny ML.
Bhuvanesh Gowda
obtained his BFA from CAVA, Mysore and MFA from Jamia Millia
Islamia, New Delhi.. Formally speaking, Bhuvanesh’s works are
minimal sculptures. Affected by acrophobia (vertigo), Bhuvanesh
makes an attempt to overcome his insecurities with heights by
visiting high altitude places in the Himalayas.. His personal
experiences transform into minimal sculptures, that he generally
uses to destabilize the ‘security of viewing’.
Amitesh
Shrivastava obtained his BFA from Khairagarh University and MFA
from MSU, Baroda. Amitesh’s works intensely debate the
socio-cultural and philosophical notions of security in his
painterly works. Qualified as quasi expressionistic works, Amitesh
deliberately chooses an action oriented style to develop his
pictorial surfaces. An artist who is an avid researcher on social
hierarchies, he visualizes a human drama which is related to both
the agrarian and technological economy.
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