About the Artists:
Himmat Shah
Born in Lothal, Gujarat in 1933 Shah initially studied
under Shri Jagubhai Shah in Bhavnagar in 1952. Later he did his Diploma
in 1953 from Sir J.J. School of Arts, Mumbai and Masters from the
Maharaja Sayajirao University of Vadodara in 1955. He was a National
Cultural Scholar in 1956 and received a French Government scholarship to
study etching at Atelier 17, Paris in 1967.
His important exhibitions are: HIMMAT SHAH: Hammer on
the Square A Retrospective (1957-2015), curated by Roobina Karode,
Kiran Nadar Museum of Art (KNMA), New Delhi, 2016 and Jawahar Kala
Kendra, Jaipur by KNMA 2018; Drawings and Sculptures, presented
by Studio Confluence at Jehangir Nicholson Art Gallery, National Centre
for Performing Arts (NCPA), 2007; Berkeley Square Gallery, UK, 2007;
Anant Art Gallery, New Delhi 2005 and Sculpture, Art Heritage,
New Delhi 2002.
Some of his group exhibitions include: Sculpsit:
Between Thought and Action, Curated by Sasha Altaf, The Guild Art
Gallery, 2019; The Art of Drawing, Curated by Sudhir Patwardhan,
The Guild Art Gallery, Mumbai, 2011; Yellow Deity: Contemporary
Indian Art, Ludwig Museum, Budapest, 1997; Rediscovering the
Roots, Museo de la Nación, Lima, 1997; Ninth Triennale – Seven
Artists from the Collection, National Gallery of Modern Art, New
Delhi, 1997; Festival of Indian Art, Moscow, 1996; and, the
Biennale de Paris, 1967 and 1970.
From 1967 to 1971, Himmat Shah designed and executed
monumental murals in brick, cement and concrete at St. Xavier's School
Ahmedabad.
Shah lives and works in Jaipur, India.
N. N. Rimzon
N. N. Rimzon was born in Kakkoor, Kerala, 1957. He
received a National Diploma in Sculpture (five years course) from Govt.
College of Fine Arts in 1980, B.F.A. in sculpture from College of Fine
Arts, Trivandrum in 1982, M.F.A. with specialization in Sculpture from
M.S.University of Baroda in 1984 and M. A. in Sculpture with
distinction from Royal College of Arts, London, in 1989.
Rimzon has participated widely in museum and
institutional shows. His select group shows include: Pond Near the
Field, curated by Roobina Karode, Kiran Nadar Museum of Art (KNMA),
New Delhi and Kochi, 2016; Rewriting the Landscape: India and China,
National Museum of Modern and Contemporary Art, Seoul, South Korea 2014;
5th Beijing International Art Biennale, National Art Museum of China,
Beijing, China 2012; Santhal Family: Positions Around an Indian
Sculpture, Museum of Contemporary Art, Antwerp (MHKA), Antwerp,
Belgium 2008; Edge of Desire, Recent Art In India, curated by
Chaitanya Sambrani, National Gallery of Modern Art (NGMA), Mumbai, 2007,
Berkeley Art Museum (BAM) & Pacific Film Archive (PFA), Berkeley, CA,
USA; Busan Sculpture Project: Homage to the Earth, Busan
Biennale, Busan, South Korea, 2006; The Artist Lives and Works in
Baroda/Bombay/Calcutta/Mysore/Rotterdam/ Trivandrum, at House of World
Culture, Berlin, Germany, 2005; Asia Society, New York; Queens
Museum of Art, New York, NY, USA, 2004; Body.City: New Perspectives
on India, House of World Culture, Berlin, Germany curated by Geeta
Kapur, 2003; Private Mythology, The Japan Foundation Forum,
Tokyo, Japan,1998; Out of New York, Queens Museum of Art, USA,
1997; Tryst with Destiny: Art from India 1947-1997, Singapore;
Die Anderen Modern: Contemporary Art from Africa, Asia and Latin
America, Berlin, Germany, 1997; Art South Asia, Manchester Art
Gallery, Manchester, UK, 2002.
Rimzon’s solo shows include: The Round Ocean and the
Living Death, Talwar Gallery, New Delhi; Forest of The Living
Divine, Talwar Gallery, New York, 2016; Sculptures and Drawings,
The Guild, Mumbai, 2008; Liminal Embodiment, Seven Oceans and the
Unnumbered Stars, Bodhi Art, New York, 2007; Recent Sculpture and
Drawings, Art Heritage Gallery, New Delhi, 1991.
Rimzon has taught and held positions at various
institutions. He was the Principal at the College of Fine Arts,
Trivandrum, 2011-2014; Principal at the Raja Ravi Varma College of Fine
Arts, Mavelikkara, 2007.
T. V. Santhosh
T. V. Santhosh (born 1968, Kerala, India) obtained his
graduate degree in painting from Kalabhavan, Santiniketan and Master’s
degree in sculpture from M. S. University of Baroda.
Santhosh’s works have been shown widely in museums and
biennales. Some of his museum shows include: Forming in the Pupil of
an Eye, Kochi-Muziris Biennale, curated by Sudarshan Shetty, 2016;
56th Venice Biennale, National Pavilion of Iran, The Great Game,
curated by Marco Meneguzzo and Mazdak Faiznia, 2015; Making History,
Colombo Art Biennale, 2014; Heritage Transport Museum, curated by Priya
Pall, New Delhi, 2013; WAR ZONE – Indian Contemporary Art,
Artemons Contemporary, Das Kunstmuseum, Austria, 2012; Critical Mass:
Contemporary Art from India, curated by Tami Katz-Freiman and Rotem
Ruff, Tel Aviv Museum of Art, Israel, 2012; 11th Havana Biennial, 2012;
INDIA- LADO A LADO, curated by Tereza de Arruda, SESC Belenzinho
São Paulo, Brazil, 2012; India, curated by Pieter Tjabbes and
Tereza de Arruda, Centro Cultural Banco do Brasil in Rio de Janeiro,
Brazil, 2011; Rewriting Worlds, 4th Moscow Biennale of
Contemporary Art, curated by Peter Weibel, 2011; In Transition New
Art from India, Surrey Museum of Art, Canada, 2011; Empire
Strikes Back, The Saatchi Gallery, London, 2010; The Silk Road,
New Chinese, Indian and Middle Eastern Art from The Saatchi Gallery at
Tri Postal, Lille, France, 2010; Vancouver Biennale curated by Barry
Mowatt, 2010; Dark Materials, curated by David Thorp, G S K Contemporary
show, at Royal Academy of Arts, London, 2009; India Xianzai, MOCA,
Shanghai, China, 2009; Passage to India, Part II: New Indian Art from
the Frank Cohen Collection, at Initial Access, Wolverhampton, UK,
2009. Aftershock, Conflict, Violence and Resolution in Contemporary
Art, Sainsbury Centre for Visual Arts, UEA Norwich, 2007;
Continuity and Transformation, Museum show promoted by Provincia di
Milano, Italy, 2007.
Santhosh’s select solo shows include Common Wall,
Grosvenor Vadehra, London 2014 in collaboration with The Guild; The
Land, Nature Morte, Berlin, 2011 with The Guild, Mumbai; Burning
Flags, Aicon Gallery, London, 2010 in collaboration with The Guild;
Blood and Spit, Jack Shainman Gallery, 2009 in collaboration
with The Guild; Living with a Wound, Grosvenor Vadehra, London,
2009 in collaboration with The Guild; A Room to Pray at Avanthay
Contemporary, Zurich, 2008 in collaboration with The Guild; Countdown,
Nature Morte, Delhi, 2008 in collaboration with The Guild; Countdown,
The Guild, Mumbai 2008.
His art practice has been widely written about and
published, including two books - T. V. Santhosh: Unresolved Stories’
(The Guild, 2008); Blood and Spit: Living with a Wound, (The
Guild and Jack Shainman gallery, 2009). Other catalogues with solo shows
include One Hand Clapping/Siren (2003), Living with a Wound
(2009) and False Promises (2005).
Santhosh lives and works in Mumbai, India.
Valsan Koorma Kolleri
Born in 1953, in Pattiam, Kerala, Kolleri studied at the
College of Art and Crafts, Chennai (1976) and at the Faculty of Fine
Art, M.S. University, Baroda (1979) and later at the Ecole Nationale
Supérieure des Beaux-Arts in Paris (1986).
Kolleri has had numerous solo and group exhibitions in
India and abroad that include New Clearage: Retrospective as Artwork,
Talwar Gallery, New York, 2007. Retrospective as Artwork, Colab
Gallery, Bangalore and B.Q. Gallery, Koln, Germany, 2005. ‘Drainage:
Rain Harvesting Sculpture’, Khoj, Delhi; Retrospective as Artwork,
Project Gallery, Dublin, Ireland, 2004; Draw, National Institute
of Design, Ahmedabad, 2003. Sculpture Show, Egmore Museum,
Chennai, Alliance Francaise, Bangalore; Sculpture Age, Pundole
Art Gallery, Mumbai, 1998. Bronze Age, Center for Contemporary
Art, Delhi, 1990. Stone Age and Bronze Age, British Council
Gallery, Chennai, 1989 and This Time Ceramics, Sakshi Gallery,
Chennai, 1986.
His other important participations include: Aichi
Triennale 2016, Nagoya-shi, Aichi, Japan; Kochi-Muziris Biennale 2012,
Kochi; Biennale Jogja XI – Equator #1 Shadow Lines: Indonesia meets
India, curated by Alia Swastika and Suman Gopinath, 2011-2012 and
Santhal Family: Positions Around an Indian Sculpture, Museum of
Contemporary Art, Antwerp (MuKHA), Belgium, 2008.
Kolleri was awarded the 6th Bharat Bhavan Biennale of
Indian Contemporary Art Prize, 1996; National Academy Award, Lalit Kala
Akademi, Delhi, 1990; French Government scholarship to study at Ecole
Nationale Superieure Des Beaux-Arts and to work as a resident artist at
The Cite Des Art, 1986 and the Kerala Lalit Kala Academy Award, Kerala,
1983.
Kolleri runs the Shilpapaddiam, a centre for sculpture in
Pattiam in Kerala.
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